Category: cultural regeneration

Funded PhD Scholarship

With two of my colleagues at the University of Greenwich, we are offering a funded PhD scholarship to come and work with us, evaluating a major regeneration project over three years, in south-east London.

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You can view the full description, and find out about the application process here.  If you’d like to contact me about this directly, please just get in touch, but I’ve included some brief information below:

Description:

Are you interested in assisting with the evaluation of a large-scale regeneration initiative in London? A fully-funded studentship developed by Arup, The Social Innovation Partnership and the University of Greenwich is available for a student to qualitatively and quantitatively track changes in Thamesmead over time.

The Role

Thamesmead is a town that was established in the 1960s with the intention of being a ‘model city,’ built with utopian architecture, green spaces and waterways along the banks of the river Thames. Peabody’s mission is to improve, grow and look after Thamesmead for the long-term. Because Peabody owns much of the land, housing and retail, and natural spaces in the area, it is in the unique position to take a holistic, area-wide approach to its regeneration. Peabody has engaged Arup, TSIP and the University of Greenwich to jointly manage the Thamesmead Evaluation Framework.

The PhD student will make a significant contribution to the overall evaluation of the Thamesmead Plan, and will carry out research with practical implications. The research focuses on public space, culture, arts and heritage and community cohesion, and the lived experience of place.

This studentship will be supervised by a team specialising in urban and cultural regeneration, with additional support from Arup, a world-leading urban consultancy firm. The student is expected to work closely with the supervisory team, key internal stakeholders and external contractors. The student researcher will also train Peabody staff and/or local residents in data collection methods.

The Candidate

The candidate will hold a relevant postgraduate qualification, will be experienced with qualitative and quantitative research methods and willing to conduct fieldwork within the locality.

For further information please contact the supervisor: Dr. Menna Jones, M.T.Jones@greenwich.ac.uk

Bursary available (subject to satisfactory performance):

Year 1: £15,009 Year 2 and 3: In line with RCUK rate

The successful candidate will receive a contribution to tuition fees equivalent to the university’s Home/EU rate, currently £4,327, for the duration of their scholarship. International applicants will need to pay the remainder tuition fee for the duration of their scholarship. This fee is subject to an annual increase. Scholarships are available for three years, full-time study from the date scholars first register as an MPhil/PhD student with the university. Applicants must meet the programme entry requirements.

For additional information about the scholarship please go to: www.gre.ac.uk/research/study/research-studentships-and-scholarships

 

Cultur WB

Last week, I was very pleased to be invited to speak at the launch of the Cultur WB network, in Sarajevo, Bosnia & Herzegovina. Cultur WB is a new network to support the development of Cultural Tourism across the Western Balkans region that has been set up with ERASMUS+ funding in a project with partners from Serbia, Bosnia & Herzegovina, Montenegro, The Netherlands, Austria and Germany.  When I was there the project was also bringing in new contributions from the UK, Greece and Albania.

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The Cultur WB partners in Sarajevo

The Cultur WB project aims to not only strengthen ties between people working on cultural tourism as practitioners and researchers in the region, but also to to develop life-long-learning programmes for people working in tourism and new Masters programmes in cultural tourism.  At the launch event, I gave a presentation on how small and emerging destinations can use cultural events to develop their tourism, and how we should think about measuring the impacts of these events.  You can view the presentation below:

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The launch event was fantastic, with presentations from politicians, academics and practitioners.  Sarajevo itself is an amazing city and the organisers of the event, Sarajevo Meeting of Cultures, are doing an incredible job of trying to get their city onto the Cultural Tourism map, which I have no doubt they are succeeding in.

Heritage, Tourism and Economic Development in Seaside Towns

Yesterday, I gave this presentation at a fascinating event at Turner Contemporary in Margate on local lists and the heritage sector.  I was invited to speak by the Margate Neighbourhood Plan Forum and Margate Civic Society, about the relationship between heritage, tourism and economic development.  This was great opportunity for me to return to Margate, the regeneration of which I published this article about a few years ago.

In my presentation, I argued that, in the absence of strong government policies on tourism and culture, and as public sector funding and control of regeneration reduces, there is an opportunity for heritage groups (like the fantastic Sevenoaks Society, who presented their work on local lists at the event) to influence how their local heritage is presented to tourists and to influence the nature of local economic development.

My main point was that tourists want fantastic, memorable experiences.  If heritage groups can present their local heritage to tourists as interesting stories and use exciting narratives, then heritage can be a great resource for regeneration. This might mean them becoming comfortable with the inauthentic heritagisation of their areas, but seaside towns like Whitby and Blackpool show that this can be highly effective in bringing in tourists and generating economic impacts.

 

An elephant delighting tourists in Margate (Thanks to Geoff Orton @ Margate Civic Society)
A mechanical elephant delighting tourists in Margate (Thanks to Geoff Orton @ Margate Civic Society)

A visit to Belgrade

Last week, Dr Samantha Chaperon and I, from the University of Greenwich, presented at the Belgrade Tourism Conference 2015, which was being held alongside the Belgrade Tourism Fair.  We were invited to speak by Serbia4Youth, an amazing organisation who are working to present Serbia as a destination for young people from across Europe and beyond.

Serbia4Youth brought together a group of academics for an event that was opened by Gordana Plamanec, the Managing Director of the National Tourism Organisation of Serbia.  As well as Samantha and I, delegates heard from Rob Davidson (MICE Knowledge) and Dr Melanie Smith (Budapest Business School), Miha Lesjak (University of Primorska, Slovenia) and Milan Stojkovic (Tourism Management Consultant).

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Rob Davidson, Melanie Smith, Samantha Chaperon and I

The conference was one of the most interesting tourism events that I’ve been involved in for a long time – a chance to hear from academics in a region that is often under-represented in academic circles and to listen to the views of young people from the region about how they see the future of tourism and their own careers. I learnt about the extent and significance of spa and health tourism in south-eastern Europe and the innovative marketing of the European Basketball Championships in Solvenia in 2013, as well as the factors affecting tourism entrepreneurship in the region.  You can view our presentations below:

Dr Samantha Chaperon: Tourist Destination Image – Young People’s Perceptions of Serbia

James Kennell: Cultural Tourism and Urban Regeneration in Europe – Lessons for Serbia

As well as a great conference, our hosts showed us some of the traditional culture of Serbia and took us to some of their other events for young people in the city.  Belgrade has so much to offer young people as a destination, not least its nightlife!  We tried to keep up, but eventually gave in and saved our energy for sightseeing…

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Tourism, culture and economic development: The Tourism Symposium 2014

I’ll be speaking at the Tourism Society symposium in Liverpool on 3rd June 2014.  This event is looking at the relationship between tourism, culture and economic development and has some fantastic contributors.  The symposium runs over two days and is being held in the Merseyside Maritime Museum – you have to book and you can do so by clicking this link.

Click to download the flyer for the event
Click to download the flyer for the event

Cultural Tourism and Cultural Regeneration in Europe

Today, I gave a presentation at the IACSS 2013 conference in Istanbul.  You can view the presentation below. It is based on a chapter I wrote recently for the Routledge Handbook of Cultural Tourism. If you’re interested in reading the chapter and you don’t have access to it, please get in touch.

Back the bid: East Kent City of Culture 2017

East Kent, the area that I grew up in and where I’ve spent most of my life, is bidding to become the UK City of Culture in 2017.  This is an innovative, exciting attempt to bring together the areas of Ashford, Canterbury, Dover, Folkestone and Thanet as a single ‘city’ for the bid.

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Over the last ten years, there has been a flourishing of cultural activity and investment in East Kent.  My Phd (which is almost finished!), looks at how this has taken place on Kent’s coast.  I’ve written about cultural regeneration has been taking place in seaside towns generally and in Margate and Folkestone, specifically.  Inland though, there are other exciting cultural activities – Canterbury is a beautiful heritage city with an international arts festival and Ashford has an emerging arts scene with a new exciting venue and an inspiring, energetic arts manager in the local authority promoting the work of the borough’s artists.

East Kent is a diverse and interesting part of the country – it is an area of significant economic growth and home to some very wealthy people, but it is also the site of areas of significant poverty and exclusion.  Kent is a huge county, and large parts of it are rural (the garden of England, apparently!), but the urban areas are densely populated and growing fast.  For years, the area’s proximity to London has been a brake on the development of its cultural offer, but now high-speed links and it’s great quality of life mean that it can attract new residents from the capital and put on events that attract London audiences.

The successful opening of Turner Contemporary on East Kent’s most distant tip shows that distance is no barrier in attracting audiences if the quality of the cultural offer is high and the marketing is right – this bid will showcase the excellent cultural activity of the area and build on the buzz around Margate.

I want this bid to win. 11 cities are submitting bids and East Kent’s is clearly the most innovative – bringing together a huge range of local authorities, cultural organisations and other agencies.  If East Kent isn’t successful, then there is a huge amount to be gained from the bidding process: new links between councils who have competed rather than co-operated in the past, new networks of cultural organisations, a better sense of the cultural offer in the area and increased visibility for tourists and visitors.

Jools Holland and Tracey Emin at the opening of the Turner Contemporary Gallery
Jools Holland and Tracey Emin at the opening of the Turner Contemporary Gallery

Of course, as a researcher, I and others will be looking for opportunities to get under the skin of this bid and the project itself, if East Kent win.  These projects aren’t without their critics and maximising the benefits of this for tourism, economic development and the cultural sector will be challenging, but bidding, and hopefully winning, is the beginning of an exciting new opportunity for East Kent.  The short list for the next stage of the competition will be announced in June – you can support East Kent’s bid by clicking here and adding your name!

Dreamland, tourism and the regeneration of Margate

This week, a battle has been taking place in the High Court over the future of the Dreamland theme park site in Margate, Kent.  The Local Authority for Margate, Thanet District Council, has been granted a Compulsory Purchase Order for the site, because it wants to develop it in what it sees as the best interests of the town and its residents.  The owners of the site, Dreamland Live, are challenging this decision and want to retain the right to develop this land in their own commercial interests.

This is a brief news report about the background to the court battle, including a short contribution from me.  The court case finished yesterday, with a judgement due in around two weeks.

The Dreamland site is an important part of Margate’s tourism heritage and vital for the future of tourism development and regeneration in the area.  The delays to this project are incredibly damaging to the development of the town and are only worsening Margate’s Tourism Destination Image, which had been massively improved recently with the opening of Turner Contemporary.

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Click here to find out about more about Dreamland

I wrote a journal article about the regeneration of Margate, and of the use of culture to regenerate seaside towns generally, which you can read more about here.

The large dreamland site
The large Dreamland site

I’m not convinced that the owners of the site have really grasped the full potential of a revitalised Dreamland for tourism and economic development. However, I’m equally concerned that the local authority may not have the funds, capacity and commercial experience to deliver a project that is sustainable in the long-term.

I hope that the future development of Dreamland involves a genuine partnership between the public and private sectors and that the Dreamland Trust remain at the heart of the project. The trust have put together a set of really exciting ideas for the future of the site and represent a range of views and interests in the local community.  Without them, I’m sure that the whole site would have been given over to housing or a supermarket development long ago.

Crossovers seed-funding competition 2013

Over the last few months in EDReC, we’ve been working with Arts Council England South-East on a project called Crossovers.  The project aimed to explore new relationships between culture, tourism and economic development.  In the Spring, we’ll be publishing a report on the ‘cultural visitor economy’ (CVE).

We held a conference in September 2012 and one of the things that happened on the day was that participants came up with new project ideas – we agreed to seed-fund two of them.

One of the Crossovers logos
One of the Crossovers logos

This year we’re offering two more grants of £1,500 to new projects in the south-east of England that address our key themes: culture, the visitor economy and economic development.

Do you have an idea for a new creative project in the visitor economy?

Have you been thinking about how to bring more tourists to your area using the arts?

Have you been discussing how your cultural project can contribute to your local economy?

We want to see this money being used to kick start innovative projects in the south-east of England.  We don’t want to give you a burden of paperwork that takes up your time when you could be busier doing more creative, effective things.

Using funding from Arts Council England South East, we’ve created a process in which you can enter the competition quickly, with the minimum of form filling, and then, if you win, you can get on with getting your project going.

Here’s how you enter:

Fill in this form

Return it, by email to j.s.kennell@gre.ac.uk by the 1st February 2013

We will make a decision about the two projects that best help us to support new relationships between tourism, culture and economic development in the south-east, and we’ll announce this on 11th February.

 

Book review: Eventful Cities

I’ve just had a review of the book ‘Eventful Cities’ published in the journal Cultural Trends.  This new book looks at the role that events play in the economies and cultural lives of cities.  Provocatively, the authors suggest that we may be witnessing the disappearance of cultural policy and its replacement with cultural programming.

You can read my review by visiting the journal site, and you can read through some of the book on google books, or by clicking on the image below: